This is a compilation of the notes I've taken over the past several months on lighting in Maya and compositing in Nuke. I'm drawing from my experiences as a 3D artist and animation student who has been involved in digital art for the past six years. Here you will find notes on my technical processes, personal workflow and also of course, my work. Please feel free to send me an email if you have any questions at all. Thanks for looking.
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Followers
Blawg Ahkive
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2008
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December
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- My Pipeline
- Thesis Texturing
- Ambient Occlusion
- Renderman vs. Mental Ray Tesselation
- Overcast Lighting - Compositing
- Overcast Lighting - Photon Mapping
- Overcast Lighting - Render Testing
- Overcast Lighting Study
- If it smells like fish..
- Lighting Rig - Moonlight
- Moonlight in an Interior Space
- RenderMan Quality Settings
- Referencing
- Subdividing
- Modeling Explanation
- Achieving My Goals
- Research Goals
- Welcome
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December
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Who am I?
- BLee
- I'm a CG Supervisor in movies, commercials, film, TV, and video games, and started this blog before graduating from the Animation MFA program in USC's School of Cinematic Arts in 2009. I model, texture, lookdev, light, composite, rig and animate, and create 2D vector illustrations. My grad school thesis film explores the brownstone in which my mother's family lived over the course of four decades as she describes her memories of her mother. Using 3D environments and mood- and art-directed lighting, I hope to bring a personal story to a universal audience.
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